16 MM & 35 MM POSTPRODUCTION
Negative editing or virtual editing
Developing optical transfer
First copy standardization
Interpositive
Internegative

STANDARDIZATION
Standardization services for all items (rushes, copy 0, copy 1, etc.), in addition to all digital items (kinescoping, shoot)
ENR processing
Filmlab color-masters

SUB-TITLING
Laser printing on film copy
Sub-titled intermediary items on short tape for printing sub-titled internegatives
Upstream services : translating, adapting, dialogue summarizing, locating & simulating
Rooms dedicated to technical services
Work stations equipped with FAB version 2

PRINTING COPIES
Cap code anti-pirating tracking system

STORAGE
Telecinema and table verification of all items
Computerized data base connected in real time to external backup laboratory
Inventory by film and & client

SPECIAL EFFECTS
Digital standardization
DLP Cinema digital projectors
Discreet lustre
Specter Thomson
LABORATORIES
16MM & 35MM negative processing & prints
KODAK IMAGE CARE PROGRAMM CERTIFIED

TELECINE
Spirit Datacine & Ursa Diamond for color correction
in SD, HD, 16MM & 35MM
film to tape & tape to tape capability

OFFLINE

SCANNING
Up to 6K digitalizing capability in 35MM negative
Up to 3K in 16MM negative in a Northlight scanner

VFX
Worldwide standard for compositing & visual effect
in independent resolution (SD, HD, 4K)
in multiple layers with objects & 3D environment

CONFORMING
Assimilate scratch, especially design software
for Digital Intermediate processes
Online 4K restoration, dust-busting, VFX
& real time color correction

SCREENING & 4K COLOR CORRECTION ROOM
35MM Kinoton projectors & Sony 4K digital projector
for color correction
using Assimilate Scratch & Tangent modules
Theatrical mastering

DIGITAL RECORDING
SD, HD & up to 4K 35MM negative recording
with an ARRI Laser
worldwide standard in recording for Digital Intermediate